I start to re-upload all of them plus some new one now in January 2013. Every thing before that date as been deleted by the authority. Enjoy the music and if you like a band just buy it at your music store.
.

Saturday, February 23, 2013

Donovan / Calder's Gilded Balloon at the Palladium



LINK: Calder's Gilded Balloon at the Palladium

RE-UPLOADED

Calder's Gilded Balloon at the Palladium
Edinburgh, Scotland
August 22, 1998 

One-off show during Edinburgh Festival. Lots of songs and stories. Audience recording from ground floor center 6 yards from artist. 19 tracks, 74:02

1 Enchanted Gypsy
2 Catch the Wind
3 Colours
4 Little Tin Soldier
5 Universal Soldier
6 Please Don't Bend
7 Eldorado
8 Wear Your Love Like Heaven
9 Jennifer Juniper
10 The Promise
11 Lalena
12 Donna Donna
13 Hurdy Gurdy Man
14 Sunshine Superman
15 Mellow Yellow
16 Barabajagal
17 Atlantis
18 Season of the Witch
19 There is a Mountain

Croasby,Stills,Nash & Young / Deja vu






LINK: Deja-vu

1. Carry On
2. Teach Your Children
3. Almost Cut My Hair
4. Helpless
5. Woodstock
6. Deja Vu
7. Our House
8. 4 + 20
9. Country Girl: Whiskey Boot Hill/Down, Down, Down/"Country Girl" (I Think You're Pretty)
10. Everybody I Love You

Crosby, Stills, Nash & Young

Crosby, Stills, Nash & Young

Crosby, Stills, Nash & Young in 2006
Left to right: Nash, Stills, Young and Crosby
Background information
Also known as Crosby, Stills & Nash
Origin California, United States
Genres Rock, folk rock
Years active 1968–1970
1973
1974
1977–present
Labels Atlantic, Reprise
Associated acts Crosby & Nash, The Stills-Young Band, Buffalo Springfield, The Byrds, The Hollies
Website csny.com
crosbystillsnash.com
Members
David Crosby
Stephen Stills
Graham Nash
Neil Young
Crosby, Stills & Nash (CSN) is a folk rock supergroup made up of David Crosby, Stephen Stills and Graham Nash, also known as Crosby, Stills, Nash & Young (CSNY) when joined by occasional fourth member Neil Young. They are noted for their intricate vocal harmonies, often tumultuous interpersonal relationships, political activism, and lasting influence on American music and culture. All four members of CSNY have been inducted into the Rock and Roll Hall of Fame twice, though Young's multiple inductions were for work not involving the group.

History

Formation

Prior to the formation of CSN, each member of the band had belonged to another prominent group. David Crosby had performed rhythm guitar and vocals with folk-rock group The Byrds; Stephen Stills had been a guitarist, vocalist and songwriter in the band Buffalo Springfield; and Graham Nash had been a guitarist, vocalist and songwriter with The Hollies, one of the "British Invasion" acts.
Friction existed between David Crosby and his bandmates in the Byrds, and he was dismissed from the band in late 1967. By early 1968, Buffalo Springfield had also disintegrated over personal issues, and after aiding in putting together the band’s final album, Stephen Stills found himself unemployed by the summer. He and Crosby began meeting informally and jamming, and the result of one encounter in Florida on Crosby’s schooner was the song “Wooden Ships,” composed in collaboration with another guest, Jefferson Airplane's Paul Kantner.
Graham Nash had been introduced to Crosby when The Byrds had toured the United Kingdom in 1966, and when The Hollies ventured to California in 1968, Nash resumed his acquaintance with Crosby. At a party in July 1968 at Cass Elliot's house, Nash asked Stills and Crosby to repeat their performance of a new song by Stills, “You Don't Have To Cry,” with Nash improvising a second harmony part. The vocals jelled, and the three realized that they had a unique vocal chemistry.
Creatively frustrated with The Hollies, Nash decided to quit the band and work with Crosby and Stills. After failing an audition with The Beatles' Apple Records, they were signed to Atlantic Records by Ahmet Ertegün, who had been a fan of Buffalo Springfield and was disappointed by that band's demise. From the outset, given their respective band histories, the trio decided not to be locked into a group structure, using their surnames as identification to ensure independence and a guarantee against the band simply continuing without one of them, as had both The Byrds and The Hollies after the departures of Crosby and Nash. Their record contract with Atlantic reflected this, positioning CSN with a unique flexibility unheard-of for an untested group. The trio also picked up a unique management team in Elliot Roberts and David Geffen, who had engineered their situation with Atlantic and would help to consolidate clout for the group in the industry. Roberts kept the band focused and dealt with egos, while Geffen handled the business deals, since, in Crosby’s words, they needed a shark and Geffen was it. Roberts and Geffen would play key roles in securing the band’s success during the early years.
When it was announced that the band was forming, they ran into a slight contractual problem. Nash was already signed to Epic Records, the North American distributor of records by The Hollies, while Crosby and Stills were signed to Atlantic. In order to resolve this problem, Geffen engineered a deal whereby Nash was essentially traded to Atlantic for the rights to Richie Furay's band Poco; Furay was signed to Atlantic as a result of his membership in Buffalo Springfield.

Initial success

The trio's first album, Crosby, Stills & Nash, was released in May 1969 and was an immediate hit, spawning two Top 40 hit singles and receiving key airplay on the new FM radio format. With the exception of drummer Dallas Taylor, Stills had handled the lion's share of the instrumental parts himself, which left the band in need of additional personnel to be able to tour, now a necessity given the debut album’s commercial impact.

Neil Young joins the group

Retaining Taylor, the band decided initially to hire a keyboard player. Stills at one point approached Steve Winwood who was already occupied with newly formed group Blind Faith. Atlantic label head Ahmet Ertegün suggested former Buffalo Springfield member Neil Young, also managed by Elliot Roberts, as a fairly obvious choice. Initial reservations were held by Stills and Nash, Stills owing to his history with Young in Buffalo Springfield, and Nash, due to his personal unfamiliarity with Young. But after several meetings, the trio expanded to a quartet with Young a full partner. The terms of the contract allowed Young full freedom to maintain a parallel career with his new back-up band, Crazy Horse.
The band initially completed the rhythm section with bassist Bruce Palmer, who previously played with Young in the short-lived Mynah Birds (fronted by a young Rick James) and with both Young and Stills in Buffalo Springfield. However, whether due to Palmer's persistent personal problems (he had a tendency to get busted for drugs and get deported back to Canada) or due to the simple fact that, with Stills, Young and Palmer handling the instruments, the band looked and sounded like Buffalo Springfield with Crosby and Nash doing little more than some background vocals. Whatever the true reason, Palmer was forced out of the band, and, at Rick James' recommendation, nineteen-year-old Motown bassist Greg Reeves replaced him.
With Young on board, the restructured group went on tour in the late summer of 1969 through the following January. Their first gig was on Aug. 17, 1969 at the Auditorium Theater in Chicago with Joni Mitchell as their opening act. They mentioned they were going to some place called Woodstock the next day, but they had no idea where that was. They began their second set that night with the same line they uttered at Woodstock, "This is only the second time we've performed in front of people. We're scared shitless." They opened with "Suite: Judy Blue Eyes" before launching into a harmony-drenched version of The Beatles' "Blackbird".
Their second show was a baptism by fire at the Woodstock Festival. CSNY's recording of the Joni Mitchell song memorializing Woodstock would later become a hit and the recording most associated with the festival. By contrast, little mention is made of the group's following appearance at the violence-plagued Altamont Free Concert, with CSNY having escaped mostly unscathed from the fallout of the show. The group's Altamont performance was not included in the subsequent film Gimme Shelter, at the band's request. Two performances from the Big Sur Folk Festival, 13-14 September 1969, appear in the movie Celebration at Big Sur.
Great anticipation had built for the newly expanded supergroup, and their first album with Young, Déjà Vu, arrived in stores in March 1970 to zealous enthusiasm, topping the charts and generating three hit singles. Déjà Vu was also the first release on the Atlantic Records SD-7200 "superstar" line, created by the label for its highest-profile artists; the subsequent solo albums by Crosby, Stills, and Nash would also be the next releases in this series.
In April 1970, Greg Reeves began behaving erratically and was fired by Stills. Reeves was replaced by Calvin "Fuzzy" Samuels.
Young and Crosby were staying at a house near San Francisco when reports of the Kent State shootings arrived, inspiring Young to write the protest song "Ohio", recorded and rush-released weeks later and providing another Top 20 hit for the group.
However, the deliberately tenuous nature of the partnership was strained by its success, and the group imploded after their tour in the summer of 1970. Concert recordings from that tour ended up on the 1971 double album Four Way Street; years would pass between subsequent trio and quartet recordings.

Shifting configurations

Between September 1970 and May 1971, each of the quartet released high-profile solo albums: Young's After the Gold Rush in September; Stills' eponymous debut in November; Crosby's If I Could Only Remember My Name in February, and Nash's Songs for Beginners in May. All four solo LPs placed in the top 15 on the Billboard 200, with Stills' entry peaking the highest at No. 3. Stills released an additional record in 1971, Stephen Stills 2, which also went top ten. Crosby and Nash embarked on a successful acoustic tour accompanied only by their own guitars and piano, captured for the 1998 documentary Another Stoney Evening. For a while, it seemed as if the group could simply not fail, either singly or in any permutation.
Though there were no official CSN or CSNY projects during the year, 1972 proved a fruitful year for all the band members in their solo efforts. Young achieved solo superstardom with the chart-topping Harvest and its attendant No. 1 single, “Heart of Gold”. Stills joined with ex-Byrd Chris Hillman to form the country-tinged band Manassas, releasing a self-titled double album; counting the three CSN records, Manassas became Stills' sixth top ten album in a row. Nash also joined Young to record Young's single "War Song". On tour, Nash and Crosby rediscovered the joy they had originally felt with CSN, minus the egotistic in-fighting that had made the last CSNY shows so difficult. That enthusiasm led to their first album as a duo, Graham Nash David Crosby, which peaked at No. 4 on the pop album chart.
The group members fared less well in the following year. Young embarked on a solo tour noted for its dark tone, with Crosby and Nash joining in mid-tour for recordings that would be issued on Time Fades Away; his Crazy Horse bandmate Danny Whitten had died of a heroin overdose before the tour. Crosby spearheaded a reunion album of the original Byrds quintet which sold only marginally well. Nash delivered his second solo album, and Stills released a second Manassas record; neither disc sold to expectations.
In June and July of that year, Crosby, Stills, Nash, and Young met at Young's ranch and recording studio in Hawaii for a working vacation, ostensibly to record a new album, tentatively titled Human Highway. However, the bickering that had sunk the band in 1970 quickly resumed, scattering the group again.

Shaky reconciliation

Roberts finally prevailed upon the group to realize their commercial potential. The quartet reassembled once again in the summer of 1974, with sidemen Tim Drummond on bass, Russ Kunkel on drums, and Joe Lala on percussion, to embark on the first-ever outdoor stadium tour, arranged by San Francisco impresario Bill Graham, fresh off the large-scale indoor arena tour he had developed for Dylan’s return to the spotlight earlier in the year. The band typically played three and a half hours of old favorites and new songs, many of which never appeared in a definitive CSN or CSNY studio format.[16] Graham Nash's unreleased film of the Wembley Stadium show highlights the scope and quality of these performances; the four principals would often switch instruments within the context of the same song.
While they would have the press believe that their characteristic arguments were a thing of the past, excesses typical to the era took their toll. Stills began supplementing his trademark wardrobe of football jerseys with military fatigues, insinuating that he was a deep-cover CIA agent. Crosby's entourage included two quarreling girlfriends, furthering the tension. Throughout the tour, Young isolated himself from the group, traveling in an RV with his son and entourage and was reportedly resentful that his songs made up the bulk of the group's new material. An attempt at the new CSNY LP in the fall was scrapped, the label having compiled So Far to have something to promote during the tour. Nash viewed the re-shuffling of items from only two albums and one single as absurd; it topped the charts anyway. Songs performed on the 1974 tour later appeared on various releases including Stills, Zuma, American Stars 'n Bars, Long May You Run, Comes a Time, Hawks & Doves, Wind on the Water, Earth and Sky, and Whistling Down the Wire.
Reaching an impasse with the parent band, Crosby and Nash decided to re-activate their partnership, inaugurating the duo act Crosby & Nash, touring regularly, signing to ABC Records and producing two additional studio albums, Wind On The Water in 1975 and Whistling Down The Wire in 1976. They continued to use the sidemen known as “The Section” from their first LP. This crack session group contributed to records by many others of similar idiom in the seventies, such as Carole King, James Taylor, and Jackson Browne, in addition to the CN concert album released in 1977, Crosby-Nash Live. Crosby and Nash also became a cottage industry themselves, their vocal prowess adding to the appeal of various songs, including hits like Taylor’s "Mexico" and Joni Mitchell’s "Free Man in Paris."
Stills and Young returned to their own careers, with Young gaining in critical accolades during the remainder of the century and beyond. The non-aligned pair also united for a one-off tour and album credited to The Stills-Young Band Long May You Run. At one point in the spring of 1976 in Miami the album promised to be the third attempt at a CSNY reunion, but when Crosby and Nash were bound to return to LA to finish Whistling Down the Wire, Stills and Young wiped the vocal contributions of the other pair off the master tape. The old tensions between the pair, dating back to the Buffalo Springfield days, resurfaced, exacerbated by Stills’ choice of professional studio musicians to back them rather than Young’s preferred Crazy Horse. After their July 18, 1976 show, Young's tour bus took a different direction. Waiting at their July 20 show, Stills received a laconic telegram: Dear Stephen, funny how things that start spontaneously end that way. Eat a peach. Neil. Young's management claimed that he was under doctor's orders to rest and recover from an apparent throat infection. Stills was contractually bound to finish the tour, though Young would make up dates with Crazy Horse later in the year.
Crosby & Nash's album Wind On The Water was the only disc by any member of the quartet to fare well in the marketplace during the period from 1973 to 1976. Stills approached the pair at one of their concerts in Los Angeles, setting the stage for the return of the trio.

CSN Redux

In 1977 Crosby, Stills & Nash released CSN. It was propelled by solid songs from all three principals, trademark vocals, contemporary production, and as usual a hit single from Nash in “Just a Song Before I Go”. The album soared up the pop albums chart, just missing being their fourth number one in a row, held off the top slot by one of the best-selling LPs of all time, Fleetwood Mac's Rumours. The meticulously crafted CSN fit right in with the ruling commercial sounds of the day, just as Young was imagining his reaction to punk with the Rust tour and albums, illustrating how far the two camps had diverged.
Regrouping as a regular touring unit, after a five-year lay-off between releases which saw a solo album apiece by Stills and Nash, they hit the top ten one more time with Daylight Again in 1982. Complications were brewing due to Crosby's increasing dependence on freebase cocaine, making his participation problematic. The Nash record of 1980, Earth & Sky, was to be another Crosby-Nash project, but Crosby’s participation discontinued due to excessive drug use. Daylight Again was initially undertaken by Stills and Nash alone owing to Crosby’s subsequent decline in productivity; however, Atlantic Record executives refused to release the latter LP until Crosby was reinstated. Crosby joined his partners for the tracks “Delta” and "Might as Well Have a Good Time", and the album contained two hits, Nash’s “Wasted on the Way” and Stills’ “Southern Cross,” the latter accompanied by a popular video on the nascent MTV network. But the group now relied on outside composers and singers to augment their material and had thus all but ceased to be the force they had been ten years past. The trio continued to tour, but the bottom fell out for Crosby, arrested and jailed on drug and weapons charges in Texas in May 1982. Having recorded a potential title song for the film WarGames that was never used, the band released it as a single and hastily assembled concert recordings around two studio tracks for the album Allies, their lowest-charting record to date. Crosby was sentenced to two terms, but the conviction was overturned; arrested several more times, he finally turned himself in to the authorities in December 1985. He would spend eight months in prison, and Nash and Stills released another round of solo albums in the mid-1980s.
Based on a promise he made to Crosby should he clean himself up, Young agreed to rejoin the trio in the studio upon Crosby’s release from prison for American Dream in 1988. Stills and Crosby were barely functioning for the making of the album, and the late eighties production completely swamped the band. It did make it to No. 16 on the album chart, but the record received poor critical notices, and Young refused to support it with a CSNY tour. The band did produce a video for Young’s title-song single, wherein each member played a character loosely based on certain aspects of their personalities and public image.
CSN recorded two more studio albums in the 1990s, Live It Up and After the Storm, both low-sellers by previous standards. A box set arrived in 1991, four discs of expected group highlights amidst unexpected better tracks from various solo projects. Owing to certain difficulties, manager Roberts, no longer with the trio but still representing Young, pulled most of Neil’s material earmarked for the box; only seven CSNY songs in total remained to be included. However, the CSNY version of "Human Highway" did leak to the internet.
In 1994, CSN collaborated with Suzy Bogguss, Alison Krauss, and Kathy Mattea to contribute "Teach Your Children" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization.
After the Storm barely made the top 100 on the album chart, and by the late nineties CSN found themselves without a record contract. They began financing recordings themselves, and in 1999 Stills invited Young to guest on a few tracks. Impressed by their gumption, Young increased his level of input, turning the album into a CSNY project, Looking Forward, released on Young's label Reprise Records. With writing credits mostly limited to band members, the disc was better received than the previous three albums, and the ensuing CSNY2K tour in 2000 and the CSNY Tour of America of 2002 were major money-makers.
CSN was inducted into the Rock and Roll Hall of Fame in 1997; CSNY is the only band to have all its members inducted into the Hall twice. Crosby has also been inducted as a member of the Byrds (1991), and Stills as a member of Buffalo Springfield (1997). In 2010, Nash was inducted as a member of the Hollies. Young has been inducted for his solo work (1995) and for Buffalo Springfield (1997), but has not been inducted with CSN.
The CSN logo that Crosby, Stills and Nash have used since the mid-1970s was designed by comedian Phil Hartman.
Various compilations of the band’s configurations have arrived over the years, the box set being the most comprehensive, and So Far being the most commercially successful. Individual retrospective sets have either been released or are still in progress. In 2007, David Crosby's well received box - Voyage - chronicled his work with various bands and as a solo artist. Graham Nash's 'Reflections' appeared in early 2009 under the same auspices, quite near his 67th birthday. The box set for Stephen Stills is still forthcoming. Compilation and oversight of these releases has largely been delegated to Nash himself.[25]
2006 "Freedom of Speech" Tour. One of the backdrops, as shown here, were the photos of American soldiers who had died in the war in Iraq.
In 2006, Crosby, Stills, Nash and Young set off on their "Freedom of Speech" tour in support of Young's album Living with War. The long setlists included the bulk of the new protest album as well as material from Stills' long delayed solo album Man Alive! and newer material from Crosby and Nash. On May 16, 2006, Crosby, Stills & Nash were honored as a BMI Icon at the 54th annual BMI Pop Awards. They were honored for their "unique and indelible influence on generations of music makers." In February 2007, CSN were forced to postpone a tour of Australia and New Zealand due to David Crosby's illness. Also in 2006, long-time manager Gerry Tolman died in a car accident.
The popular song, "Teach Your Children" was performed by Crosby, Stills, and Nash on The Colbert Report on July 30, 2008 with host Stephen Colbert filling in the fourth harmony (Neil Young's portion) and wearing a Young-mocking outfit and being referred to by Nash as "Neil." In 2009, Crosby, Stills & Nash released Demos, an album made up of demos recordings of popular group and solo songs. In June 2009 Crosby, Stills and Nash performed at the Glastonbury Festival, England. Stephen Stills was praised for his exceptional guitar playing. Neil Young did not appear onstage with them but did perform as a solo artist. In July 2009, they headlined the 14th annual Gathering of the Vibes festival. Halfway through their set, they enthusiastically announced to the crowd that they would be back next year.
Crosby, Stills & Nash toured the USA, Australia, New Zealand and Brazil in 2012 and released a 2CD/DVD entitled CSN 2012 on July 17, 2012.

Political activism

CSNY during their 2006 tour; L to R: Graham Nash, Stephen Stills, Neil Young and David Crosby
CSNY's music unerringly reflected the tastes and viewpoints of the counterculture in the late 1960s and early 1970s. With protest against the Vietnam War gearing up in 1970, the group (Crosby in particular) made no secret of their political leanings.
The group recorded two songs in response to political events. The first was "Chicago." The reference here is the trial of the "Chicago 7," seven anti-war activists indicted for their role in the demonstrations and police riots in downtown Chicago during the Democratic National Convention of 1968. One of the defendants, Bobby Seale, was disruptive in the court room and, as a result, was gagged and bound to his chair during the trial. The second song, "Ohio," was written in response to the deaths of four students at Kent State University. The students were shot by Ohio National Guardsmen during an anti-war protest on the campus in May 1970.[citation needed]
The release of "Ohio" marked the boldest musical statement made to that date regarding the Vietnam War, calling out Richard Nixon by name and voicing the counterculture's rage and despair at the events. Between "Ohio", their appearance in both the festival and movie of Woodstock, and the runaway success of their two albums, the group found themselves in the position of enjoying a level of adulation far greater than experienced with their previous bands, as evidenced by the 27 Platinum certifications they received across 7 albums.
The band has been continuously associated with political causes throughout its existence, the latest example being the song "Almost Gone (The Ballad Of Bradley Manning)" which focuses on the length and conditions of Bradley Manning's pre-trial confinement.

Influence

The collective abilities allowed CSN&Y to straddle all the flavors of popular music eminent at the time, from country rock to confessional balladry, from acoustic guitars and voice to electric guitar, and three-part harmony. with The Beatles break-up made public by April 1970, and with Bob Dylan in reclusive low-key activity since mid-1966, CSNY found itself as the adopted standard bearers for the Woodstock Nation, vouchsafing an importance in society as counterculture figureheads equaled at the time in rock and roll only by The Rolling Stones. CSNY was originally commissioned to create the soundtrack for Easy Rider, but Stills' offering, "Find the Cost of Freedom", (on the flip side of "Ohio") was also rejected.
An entire sub-industry of singer-songwriters in California either had their careers boosted or came to prominence in the wake of CSNY. In part, many musicians lived in or near Laurel Canyon, in California. They ranged from Laura Nyro, Joni Mitchell, Jackson Browne, Frank Zappa and The Eagles.

Discography

For individual discographies, see entries on David Crosby, Stephen Stills, Graham Nash, and Neil Young. See also Crosby & Nash for duo discography.

Studio albums

.

Creedence clearwater revival / live at Woodstock 1969






LINK: Live at Woodstock 1969

RE-UPLOADED
.

Colourbox / Color box



LINK: Color box

1. Sleepwalker
2. Just Give'em Whiskey
3. Say You
4. The Moon Is Blue
5. Inside Informer
6. Punch
7. Suspicion
8. Manic
9. You Keep Me Hanging On
10. Arena
11. Edit The Dragon
12. Hipnition
13. We Walk Around The Streets
14. Arena II


Colourbox


Colourbox
Origin London, England
Genres Electronica, soul, reggae
Years active 1982–1987
Labels 4AD
Associated acts M/A/R/R/S
Website Colourbox at 4AD.com
Past members
Steven Young
Martyn Young
Ian Robbins
Lorita Grahame
Debian Curry
Colourbox were an English electronic musical group on the 4AD label, releasing a number of records between 1982 and 1987. The band was formed by brothers Martyn and Steve Young, along with guest singers, until Lorita Grahame joined as a permanent member in 1983.
Colourbox stood apart from their then-4AD labelmates - bands such as Dead Can Dance, Cocteau Twins, and This Mortal Coil (although the Young brothers contributed to tracks on the latter project's first two albums It'll End in Tears and Filigree & Shadow). Their sound was eclectic, drawing from reggae and soul influences (with covers of tracks by U-Roy and Augustus Pablo released as singles), beat-box driven hip-hop rhythms, blue-eyed soul, as well as a fusion of far-ranging influences spanning from classic R&B, to dub and industrial.

Career

Following their debut single "Breakdown" and "Tarantula" in late 1982 (and a reissue in mid-1983), a four-track mini-album simply titled Colourbox was released in November 1983, displaying the band's fledgling experimental sound. After a handful of singles, Colourbox's first full-length studio album - also self-titled - followed in August 1985, which further refined the band's diverse palette, mixing sample-splattered power-punk instrumentals with elegiac piano pieces ("Just Give 'em Whiskey" and "Sleepwalker" respectively), commercial pop ("The Moon Is Blue" and "Suspicion") and more reggae and soul covers (U-Roy's "Say You" and The Supremes' "You Keep Me Hanging On"). It was to remain the band's only proper album.
In 1986, the band issued two completely different singles simultaneously on the same day: one was an instrumental initially intended as a World Cup anthem ("The Official Colourbox World Cup Theme"); the other, a cover of Augustus Pablo's "Baby I Love You So," featured third member Lorita Grahame on vocals.
The band had an international hit in 1987 with "Pump Up the Volume", a collaboration with A.R. Kane under the name M/A/R/R/S. The song was notable for being constructed almost entirely from samples of other records, a novelty for a popular record at that time. The pressures of sudden success and the long-running litigation caused by the use of samples resulted in the band never to record as Colourbox again.
For a brief time following Colourbox's dissolution, Martyn Young served as a producer on records by acts as diverse as The Christians and fellow labelmates The Wolfgang Press, whilst former singer Lorita Grahame lent her vocals to a record released by short-lived One Little Indian act Hit the Roof (on a cover of Edwin Starr's "Contact"). Since then, little has been heard from any of the group members, save for a brief return to promotional duties for Martyn Young in 2001, to oversee the release of the Colourbox compilation Best of Colourbox 82/87.
4AD released a self-titled box set of four compact discs, compiling all of their catalogue (the full length album with its companion remix album in full, a 7" mix CD, a 12" mix CD, and the first EP with two BBC Radio sessions and a previously unreleased mix of "Arena") on 21 May 2012. The collection, marking the 30th anniversary of the group, was sequenced by Martyn Young.

Discography

All released on the 4AD label. Chart placings shown are from the UK Indie Chart.

Albums

  • Colourbox (mini-album) (7 November 1983), No. 8
    • Vinyl (MAD315); CD (MAD315CD – released in 1986)
  • Colourbox (album) (12 August 1985), No. 1
    • Vinyl LP (CAD508); CD (CAD508CD); cassette (CADC508)
  • Colourbox (12 August 1985) – free mini-album included with first 10,000 copies of CAD508
    • Vinyl LP (MAD509)

Singles

  • "Breakdown" / "Tarantula" (November 1982) – featuring Debian Curry
    • 7" (AD215); 12" (BAD215)
  • "Breakdown" / "Tarantula" (second version) (May 1983)
    • 7" (AD304); 12" (BAD304)
  • "Say You" / "Fast Dump" (March 1984), No. 7
    • 7" (AD403); 12" (BAD403)
  • "Punch" / "Keep on Pushing" (June 1984), No. 15
    • 7" (AD406); 12" (BAD406)
  • "The Moon Is Blue" / "You Keep Me Hanging On" (15 July 1985), No. 3
    • 7" (AD507); 12" (BAD507)
  • "Baby I Love You So" / "Looks Like We're Shy One Horse" / "Shoot Out" (14 April 1986), No. 4
    • 7" (AD604); 12" (BAD604)
  • "The Official Colourbox World Cup Theme" / "Philip Glass" (14 April 1986), No. 6
    • 7" (AD605); 12" (BAD605)

Cold Chisel / cold (the best of)

LINK: cold

RE-UPLOADED

Charlelie Couture / Poemes rock



LINK: Poemes rock

RE-UPLOADED

Bullfrog / bullfrog 1976



link: bullfrog 1976

01. Movin' on
02. Bad game
03. I came from the sky
04. I am comin' home
05. Get away
06. Desert man

.

Australian crawl / greatest hits



LINK: Greatest hits

RE-UPLOADED

01 - Beautiful People
02 - Indisposed
03 - Errol
04 - Shutdown
05 - Oh No, Not You Again
06 - Lakeside
07 - Downhearted
08 - Things Don't Seem
09 - Unpublished Critics
10 - White Limbo
11 - Letter From Zimbabwe
12 - Reckless (Don't Be So)
13 - Hootchi Gucci Fiorucci Mam
14 - The Boys Light Up



Australian Crawl

Australian Crawl
OzCrawlLive02.jpg
Australian Crawl live
Background information
Also known as Clutch Cargo
Origin Mornington Peninsula, Victoria, Australia
Genres Pop, rock
Years active 1978–1986
Labels EMI, Geffen, Virgin
Associated acts The Party Boys, The Angels, Kevin Borich Express, GANGgajang, Chantoozies
Past members
Simon Binks
David Reyne
James Reyne
Brad Robinson
Paul Williams
Bill McDonough
Guy McDonough
Graham "Buzz" Bidstrup
John Watson
Mark Greig
Harry Brus
Australian Crawl (often called Aussie Crawl or The Crawl by fans) were an Australian rock band founded by James Reyne (lead vocals/piano), Brad Robinson (rhythm guitar), Paul Williams (bass guitar), Simon Binks (lead guitar) and David Reyne (drums) in 1978 David Reyne soon left and was replaced by Bill McDonough (drums, percussion). They were later joined by his brother Guy McDonough (vocals, rhythm guitar). The band was named after the front crawl swimming style also known as the Australian crawl.
Australian Crawl were associated with surf music and sponsored a surfing competition in 1984.However, they also handled broader social issues such as shallow materialism, car accidents, and cautionary tales of romance.
After their 1980 debut album, The Boys Light Up reached No. 4, Australian Crawl had two No. 1 albums; 1981's Sirocco and 1982's Sons of Beaches. Their early singles reached the top 25 but none broke into the Top Ten; their best performing single was No. 1 hit "Reckless" which showed a more mature approach than earlier hits, and came from their 1983 Semantics EP.
Upheaval within the band occurred from 1983 onwards. First Bill McDonough left, then his brother Guy McDonough died in 1984, then various other members left. Their 1985 release Between a Rock and a Hard Place was expensive but sales were disappointing; and they disbanded early in 1986. The band's status as an icon on the Australian music scene was acknowledged by induction into the 1996 Australian Recording Industry Association (ARIA) Hall of Fame. Founding guitarist Brad Robinson was unable to attend the Hall of Fame induction in person, as he was hospitalised with lymphoma and died two weeks later.

Biography

1975–1979

The band Spiff Rouch formed in 1976 in the Mornington Peninsula suburb of Mount Eliza on the outskirts of Melbourne. The group lineup featured James Reyne, brothers Bill and Guy McDonough, Paul Williams, Robert Walker and Simon Binks. Reyne had previously played drums for Archie Slammit and the Doors.
By early 1978 Spiff Rouch had separated into two groups: The Flatheads (including the McDonough brothers and Walker, along with Sean Higgins and Nigel Spencer) and Australian Crawl. The original lineup for the latter was Reyne as vocalist, Binks on lead guitar, Williams on bass guitar, along with Reyne's younger brother David Reyne on drums and schoolmate Brad Robinson on rhythm guitar. Australian Crawl performed their first live gig in October 1978 and toured the pub circuit.
David Reyne left the group in 1979 to finish his acting course, later becoming an actor and TV presenter as well as drumming for Cats Under Pressure and the Chantoozies (1986–1990). He was replaced in Australian Crawl by Bill McDonough. The group's popularity in the Mornington Peninsula area increased with further pub gigs, then they gained audiences with university students and inner city residents.
Once the band’s escalating popularity brought them into Melbourne they caught the attention of Little River Band’s guitarist David Briggs, who helped them gain a recording contract with EMI and he produced their first single. "Beautiful People" (1979) reached No. 22 on the National charts. Reyne had co-written the song with guitarist Mark Hudson in 1975. The track included references to the shallow materialism of residents of Toorak and to the Bombay Rock night club in Brunswick.
Just days before recording "Beautiful People" Reyne had been hit by a car in Swanston Street, Melbourne, breaking bones in both wrists, an episode later chronicled in the track "Indisposed". Australian Crawl made one of the most memorable debuts on Australian Broadcasting Corporation (ABC) TV series Countdown performing "Beautiful People" as Reyne still had both arms encased in plaster. "Beautiful People" remains one of their most popular songs according to listeners of Triple M in 2007.

1980

Australian Crawl's debut album The Boys Light Up (1980), also produced by Briggs for EMI, had a number of hit singles with songwriting shared around the group and beyond. Tracks from this album included the previously released single "Beautiful People", the title track (written by Reyne); "Indisposed" (Brad Robinson, James Robinson, Reyne, Bill McDonough) and "Downhearted" (Sean Higgins, Guy McDonough, Bill McDonough) (from The Flatheads). Brad Robinson's father James Robinson was a Federal Arbitration Court Justice.
"The Boys Light Up", their second single, was almost banned from radio play due to its explicit lyrics.Many listeners believed the chorus lyrics were about smoking marijuana but Reyne has stated that it was about smoking tobacco cigarettes at school. It also reached No. 22 on the National charts and remains almost as popular as "Beautiful People". Their third single "Downhearted" charted higher at #12and was a cautionary tale of romance gone wrong.
The Boys Light Up reached No. 4 on the Australian album charts and remained in the charts for an unbroken 101 weeks. It sold five times platinum: over 280,000 copies, and became one of the biggest Australian albums of the 1980s. Singer/guitarist/songwriter Guy McDonough (ex-The Flatheads and Bill's younger brother) joined the group in October 1980.
Rock journalist and commentator, Glenn A. Baker compared Australian Crawl with various fellow Australian bands:
Australian Crawl seemed to step out of a tourism poster... Spruce, lean, tanned and young... They swam, they surfed, they radiated a healthy, wholly Australian aura... If Skyhooks has personified the bodgie larrikin and Cold Chisel the hard drinking working class man, Australian Crawl turned the bronzed lifesaver into a pop idol... Crawl songs seemed to eulogise hedonism, adventure and the great outdoors for an audience that couldn't be bothered with Midnight Oil's politics.
Glenn A. Baker1983
However, according to James Reyne some people accused them of being demonic. He said whenever you bumped into the member of Little River Band who had found God, he'd tell him "you shouldn't be playing that, it's demonic".

1981–1982

In 1981, Australian Crawl recorded their second album, Sirocco with producer Peter Dawkins in Sydney. Named for Errol Flynn's yacht, the album peaked at No. 1 on the Australian album chart on 3 August and remained there for six weeks. At about this time Robinson was married to actress Kerry Armstrong, later an Australian Film Institute Award winner, who co-wrote a track "Easy On Your Own" for the album.
Sirocco spawned the hit singles "Things Don't Seem" (May, No. 11 National charts) and "Errol" (August, #18). It also included "Oh No Not You Again" (November). Of these, "Errol" about womanising Tasmanian-born actor Flynn is the band's third most popular song of all. Another track from the album, "Lakeside", became a popular radio inclusion. 1981 Australian End of Year Album Charts has Sirocco at No. 2 behind Double Fantasy by John Lennon and ahead of AC/DC's Back in Black making it the best charting album by an Australian act. On the wave of this popularity the band toured extensively playing to huge crowds at Melbourne's Myer Music Bowl (100,000), Sydney's Domain (90,000), the Narara Rock festival (70,000), smashing attendance records at indoor venues in Brisbane and Perth. They were voted Countdown 1981 Most Popular Group, and James Reyne was voted 1980 and 1981 Most Popular Male Performer.
Sons of Beaches (1982) was recorded in Hawaii with expatriate Australian Mike Chapman producing. The album had a rougher, rock 'n' roll edge than its glossy pop rock predecessors and featured the No. 17 hit "Shut Down" (June). It also included a re-recorded version of "Downhearted" and became their second album to reach No. 1 on the Australian albums chart and remained there for five weeks. EMI issued the album in the USA. Two further singles, "Daughters of the Northern Coast" (August) and "Runaway Girls" (November) failed to reach the Australian Top 40.
Over 1982–1983 Reyne was filmed with Australian actresses Rebecca Gilling and Wendy Hughes in the television miniseries Return to Eden, which was screened in September 1983. For Reyne's role of playboy tennis professional Greg Marsden, he was given the 1984 "Most Popular New Talent Award" at the TV Week Logie Awards. Reyne later declared he was not very good in the part, declining many acting offers since. During breaks in filming, the singer accepted an offer from Paul Christie (Mondo Rock) and Kevin Borich to join their part-time band The Party Boys with Harvey James from Sherbet and Graham Bidstrup from The Angels. The group played a short run of shows around Sydney venues and played covers exclusively. The resultant album, Live at Several 21sts, peaked at No. 9 on the national chart.

1983–1984

Soon after Reyne finished acting for Return to Eden, Bill McDonough left due to tensions within the band. The remaining members then recorded the EP Semantics (1983) with Bidstrup (from The Party Boys, later a founder of GANGgajang) on drums. The four track EP contained their best-known song, "Reckless" (aka "Don't Be So Reckless", "She Don't Like That") which was written by Reyne, and went to No. 1 on the Australian singles chart on 28 November.John Watson (Kevin Borich Express) then came in as a permanent replacement for McDonough. The live album Phalanx was something of a stop-gap measure between studio albums, nevertheless it reached No. 4 during December. The band's biggest overseas break came when Duran Duran took the band as support on certain legs of their "Sing Blue Silver" tour of the UK.
US label Geffen Records signed Australian Crawl and issued Semantics (1984) as an album (with the four songs from the EP and re-recordings of tracks from past Australian records) for the American market. In April 1984 Australian Crawl became the first Australian band to sponsor an ASP surfing competition. The Rip Curl/Australian Crawl Bell's Beach Surfing Festival was won by Australian surfer, Cheyne Horan.
In June 1984 the band was forced off the road when Guy McDonough was admitted to hospital in Melbourne; he died soon after of viral pneumonia. Australian Crawl regrouped with Mark Greig on guitar (ex-Runners) for a series of live performances in late 1984.Prior to Guy's death, he had recorded demos with his brother Bill McDonough (drums, percussion), Sean Higgins (synthesisers) and Nigel Spencer (bass, synthesisers), (all former The Flatheads); and Mick Hauser (saxophone) and Michael Bright (guitar). Bill McDonough assembled the tapes and produced Guy McDonough's posthumous album My Place on Wheatley Records in April 1985. Singles "My Place" / "Things Don't Seem" and "What's in it For Me" / "Hook, Line and Sinker" were also released."Things Don't Seem" written by Guy McDonough, had been released as an Australian Crawl single in 1981 off Sirocco. Tracks from these sessions were re-mastered and released on Lost & Found in 1996.

1985–1986

By 1985 the group recorded their last studio album, Between a Rock and a Hard Place, with English producer Adam Kidron. It was released in Australia on Australian Crawl's own label Freestyle Records. The album, which allegedly cost $400,000 to record,was a mishmash of styles and a commercial disaster (it peaked at No. 12 in August 1985 but slipped out of the Top 40 two weeks later). None of the singles had any Top 40 chart success. Harry Brus (Kevin Borich Express) replaced long-standing bass player Paul Williams in May 1985. The band performed three songs for the July 1985 Oz for Africa concert—part of the global Live Aid program—"Reckless (Don't Be So)", "Two Can Play" and "The Boys Light Up". It was broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US.
When the album virtually failed to chart, the band was ready to split but had to go out on tour to pay off its debts. On 27 January 1986, their final Melbourne concert was recorded and released as the live album The Final Wave in October. The band performed its final concert on 1 February at the Perth Entertainment Centre.
We really enjoy Perth, and have a lot of friends there, so it was a conscious decision to play our final show there. Besides, everybody expected us to play the last show back in Melbourne, so stuff 'em.
—James Reyne
In seven years, Australian Crawl had sold over a million records in Australia, with five of its albums and an EP reaching the Australian Top 5 Album Charts, two of which had been No. 1 hits. A cumulative total of eleven weeks at Number 1 on the Albums Charts places them equal fourth for Australian groups behind Skyhooks, The Seekers and Midnight Oil.

Post 1986

In 1985, Lin Buckfield (Electric Pandas) and Reyne released a duet single "R.O.C.K." / "Under My Thumb". After Australian Crawl disbanded, Reyne went on to a solo career. His first few singles failed to chart but 1987's "Fall of Rome" and the self-titled album that followed were the beginning of a string of hits that lasted until the early 1990s. In 1992 he and James Blundell had a hit with a cover of The Dingoes' "Way Out West" (#2, May 1992). Reyne also formed Company of Strangers that year with former Sherbet lead singer Daryl Braithwaite, Simon Hussey and Jef Scott. Company of Strangers only released one self-titled album, Company of Strangers in 1992, which produced the hits "Motor City (I Get Lost)" (#26, September 1992), "Sweet Love" (#21, January 1993) and "Daddy's Gonna Make You a Star" (#35, March 1993).
In 1993 Reyne appeared as Tina Turner's manager Roger Davies in What's Love Got to do With It?. He featured in twelve episodes of State Coroner during 1998 and in 2003's The Postcard Bandit. Reyne lives on the Mornington Peninsula with his partner, Tina, and a daughter.He has released his eighth solo studio album, Every Man a King (2007) and still performs occasionally.
Almost immediately after the split Robinson became manager of Chantoozies (with early Crawl drummer David Reyne). Their first single, "Witch Queen of New Orleans" (1986), a cover of Redbone's song, reached No. 4 on the National charts. Robinson then moved into a career in television (with Network Ten's Page One) and as a co-producer of documentaries. In the 1990s he became the manager for the Reyne brothers and worked as an agent for the Advantage Sports Management Group. This included managing Australian tennis player Mark Philippoussis. Three years after being diagnosed with lymphoma, Robinson died on 13 October 1996. The band was inducted into the ARIA Hall of Fame in 1996, weeks before Robinson's death.
Binks played in the Broderick Smith Band in 1988. He was injured in a 1995 car crash at a council roadworks that left him slightly brain-damaged. A court in 2006 awarded him $330,253 in damages, down from an estimated $750,000 because he was said to be over the legal limit. Binks later disputed the alcohol reading as belonging to another driver and stated the remuneration mostly went to his lawyers. A 2007 appeal by the council, saw amount awarded further reduced to $304,750.
Australian Crawl compilation Lost & Found was released in 1996 and contained seven of the tracks from Guy McDonough's solo album My Place which were remastered.Compilers and producers of Lost & Found were Bill McDonough and Peter Blyton. Lost & Found tracks from My Place include "Too Many People" a duet sung by Guy McDonough with Colin Hay of Men at Work. Some My Place tracks used on Lost & Found have Reyne singing backing vocals. As of 2007, Bill McDonough was working in the construction industry.
Williams who had left the band in 1985, was working in music-related retail.
In 2001 the Australian Performing Right Association (APRA), as part of its 75th Anniversary celebrations, compiled a list of the Top 30 Australian songs, with "Reckless (Don't Be So)" coming in at number nineteen.
On 14 October 2002, EMI released a two-CD Greatest Hits package called Australian Crawl & James Reyne: The Definitive Collection, which contained songs from the band and from James Reyne's solo career.
In October 2007, eleven Australian Crawl tracks were featured in the Triple M Essential 2007 Countdown of songs (positions are voted by listeners out of the best 2007 songs of all time). They were "Hoochie Gucci Fioruci Mama" #1673; "Lakeside" #1354; "Indisposed" #956; "Downhearted" #728; "Oh No Not You Again" #587; "Shut Down" #415; "Things Don't Seem" #371; "Boys Light Up" #305; "Errol" #227; "Beautiful People" #153; and "Reckless" #39.

Members

Chronological list:

Discography

Studio albums and EP

Live recordings

Compilations