I start to re-upload all of them plus some new one now in January 2013. Every thing before that date as been deleted by the authority. Enjoy the music and if you like a band just buy it at your music store.
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Friday, July 16, 2010

THE MISSION / blue


Blue

Bit rate: 128 kps

LINK: blue

01 Coming Home.MP3

02 Get Back To You.MP3

03 Drown In Blue.MP3

04 Damaged.MP3

05 More Than This.MP3

06 That Tears Shall Drown.MP3

07 Black and Blue.MP3

08 Bang Bang.MP3

09 Alpha Man.MP3

10 Cannibal Man.MP3

11 Dying Room.MP3

12 Evermore Again.MP3

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Sunday, July 11, 2010

THE MISSION / ever after live

Ever after live

Bit rate: 240 kps

LINK: everafter


01. Intro

02. Beyond The Pale

03. Hands Across the Water

04. Into The Blue

05. Butterfly On A Wheel

06. Raising Cain

07. Heaven Knows

08. Sway

09. Sacrilege

10. Swoon

11. Tower Of Strength

12. Deliverance

13. Like A Child Again

14. Can't Help Falling In Love

15. Like A Hurricane

16. 1969

17. Crazy Horses

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APOPTYGMA BERZERK / harmonizer



Harmonizer

Bit rate: 128 kps

LINK: harmonizer


1. More Serotonin...Please

2. Suffer In Silence

3. Unicorn

4. Until The End Of The World

5. Rollergirl

6. O.K. Amp - Let Me Out

7. Pikachu

8. Spindizzy

9. Detroit Tickets

10. Photoshop Sucks

11. Something I Should Know

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APOPTYGMA BERZERK / soli deo gloria

Soli deo gloria

Bit rate: 128 kps

LINK: solideogloria


1. Like Blood from the Beloved, Pt. 1

2. Bitch

3. Burnin' Heretic

4. Stich

5. Walk With Me

6. Backdraft

7. ARP [808 Edit]

8. Spiritual Reality

9. Skyscraping (Schizopreniac)

10. All Tomorrow's Parties

11. Sentinel

12. Ashes to Ashes

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APOPTYGMA BERZERK / you and me against the world



You and me against the world

Bit rate: 320 kps

LINK: youandmeagainsttheworld


01 - Tuning In Again

02 - In This Together

03 - Love To Blame

04 - You Keep Me From Breaking Apart

05 - Cambodia

06 - Back On Track

07 - Tuning In To The Frequency Of Your Soul

08 - Mercy Kill

09 - Lost In Translation

10 - Maze

11 - Into The Unknown

12 - Shine On

13 - Is Electronic Love To Blame!

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THE ANGELS / red back fever

Red back fever

Bit rate: 320 kps

LINK: redbackfever


01. Tear Me Apart

02. Some Of That Love

03. Once Bitten Twice Shy

04. Child In You

05. Lyin Awake In Bed

06. Bedroom After Bedroom

07. Red Back Fever

08. Dont Need You

09. Natural Born Woman

10. High And Dry

11. Hold On

12. No More Words

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THE ANGELS / live in Denver 1980

Live in Denver

Bit rate: 320 kps

LINK: liveindenver


01. No Exit

02. Am I Ever Gonna See Your Face Again

03. Strait Jacket

04. After The Rain

05. Marseilles

06. Be With You

07. Shadow Boxer

08. Take A Long Line

09. Can't Shake It


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THE ANGELS / howling

Howling

Bit rate: 320 kps

LINK: howling



Tracks

01. Did You Hurt Somebody

02. When The Time Comes

03. Don't Waste My Time

04. Can't Take Anymore

05. Where Do You Run

06. Man There

07. Hide Your Face

08. We Gotta Get Out Of This Place

09. Standing Over You

10. Stonewall

11. All Night For You

12. Nature Of The Beast

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THE ANGELS / no exit

No exit

Bit rate: 320 kps

LINK: noexit


Tracks

01. Waiting For The World

02. After Dark

03. Save Me

04. Shadow Boxer

05. No Exit

06. Can't Shake It

07. Out of the Blue

08. Dawn is Breaking

09. Mr. Damage

10. Ivory Stairs

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THE ANGELS / darkroom

Darkroom

Bit rate: 320 kps

LINK: darkroom



01. No Secrets

02. Poor Baby

03. Wasted Sleepless Nightsdark Room

04. Face The Day

05. Night Comes Early

06. Alexander

07. The Moment

08. Im Scared

09. Devils Gate

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THE ANGELS / the angels 1977

The Angels 1977

Bit rate 320 kps

LINK: theangles


01. Take Me Home

02. You're A Lady Now

03. Goin' Down

04. Shelter From The Rain

05. Can't Get Lucky

06. Am I Ever Gonna See Your Face Again

07. You Got Me Runnin'

08. High On You

09. Hot Lucy

10. Dreambuilder

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THE ANGELS / two minute warning

Two minute warning

Bit rate: 320 kps

LINK: twominutewarning


Tracks

01. Small Price

02. Look The Other Way

03. Underground

04. Front Page News

05. Gonna Leave You

06. Between The Eyes

07. Babylon

08. Sticky Little Bitch

09. Razor's Edge

10. Run For The Shelter

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THE ANGELS / beyond salvation



Beyond salvation

Bit rate: 320 kps

LINK: beyondsalvation


01. Let The Night Roll On

02. Back Street Pick Up

03. Dogs Are Talking

04. Rhythm Rude Girl

05. Jump Back Baby

06. Love Waits

07. Bleeding With The Times

08. Pushing And Shoving

09. Bitch

10. Beyond Salvation

11. Take An X

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THE ANGELS / face to face




Face to face

Bit rate: 268 kps

LINK: facetoface


01 Straight Jacket.mp3

02 After the Rain.mp3

03 Love Takes Care.mp3

04 Take A Long Line.mp3

05 Marseilles.mp3

06 Live it Up.mp3

07 Be With You.mp3

08 Outcast.mp3

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Wednesday, July 7, 2010

IGGY POP / the idiot



The idiot

Bit rate 128 kps

LINK: theidiot

Around 1977 (first album)



01 sister midnight

02 nightclubbing.

03 funtime

04 baby

05 china girl

06 dum dum boys

07 tiny girls

08 mass production

Iggy Pop


Iggy Pop

Iggy Pop performing at Pinkpop (1987)
Background information
Birth name James Newell Osterberg, Jr.
Born April 21, 1947 (age 63)
Muskegon, Michigan, United States
(1947-04-21)
Genres Protopunk, Punk rock, glam rock, garage rock
Occupations Singer-songwriter, musician, producer, actor
Instruments Vocals, guitar, keyboards, drums
Years active 1960–present
Labels Virgin, RCA, A&M, Arista, Elektra
Associated acts The Stooges, The Trolls, The Iguanas, Slash, Sum 41, David Bowie
Website Iggy & The Stooges Official Website

Iggy Pop (born James Newell Osterberg, Jr.; April 21, 1947) is an American singer, songwriter, musician, and occasional actor. Iggy Pop is considered an influential innovator of punk rock, hard rock, and other styles of rock music. Pop began calling himself Iggy after his first band in high school (for which he was drummer), The Iguanas. As such, he is also occasionally referred to as "the Iguana". Iggy Pop is widely acknowledged as one of the most dynamic stage performers of all time.

Iggy Pop was the lead singer of The Stooges, a late 1960s/early 1970s rock band who were influential in the development of the nascent hard rock and punk rock genres. The Stooges became infamous for their live performances, during which it was not uncommon for Pop (who traditionally performs bare-chested) to self-mutilate, verbally abuse the audience, expose himself and leap off the stage (the first or among the first to stage dive). The Stooges were unsuccessfully nominated seven times to the Rock and Roll Hall of Fame before they were inducted as part of the cohort in 2010.

Pop's popularity has ebbed and flowed throughout the course of his subsequent solo career. His best-known solo songs include "Lust for Life", "Nightclubbing", "I'm Bored", "Real Wild Child", the Top 40 hit "Candy" (with vocalist Kate Pierson of The B-52's), "China Girl" and "The Passenger".

Early life

Iggy Pop was born in Muskegon, Michigan, the son of Louella (née Christensen) and James Newell Osterberg, Sr., a former high school English teacher and baseball coach at Fordson High School in Dearborn, Michigan.[4] Osterberg was raised in a trailer park in Ypsilanti, Michigan. He is of Irish and English descent on his father's side, and of Norwegian and Danish ancestry on his mother's. His father was adopted by a Swedish American family and took on their surname (Österberg).

Music career

Early days: 1960 to 1967

The Prime Movers. Iggy Pop is at the rear center (partially obscured)

Osterberg began his music career as a drummer in different high school bands in Ann Arbor, Michigan. One band was the Iguanas, from the name of which he adopted his future moniker Iggy. After exploring local blues-style bands such as the Prime Movers (with brothers Dan and Michael Erlewine), he eventually dropped out of the University of Michigan and moved to Chicago to learn more about blues. While in Chicago, he played drums in blues clubs, helped by Sam Lay (formerly of the Paul Butterfield Blues Band) who shared his connections with Iggy.Chicago blues as well as bands like The Sonics and The MC5, he formed the Psychedelic Stooges and began calling himself Iggy. The band was composed of Iggy on vocals, Ron Asheton on guitar, Asheton's brother Scott on drums, and Dave Alexander on bass. Inspired by

The Stooges era: 1968 to 1975

Iggy Pop, Harvard Square March 1977

The seeds of Iggy Pop's stage persona were sown when he saw The Doors perform in 1967 at the University of Michigan and was amazed by the stage antics and antagonism displayed by singer Jim Morrison. Morrison's extreme behavior, while performing in a popular band, inspired the young Pop to push the boundaries of stage performance. Later, while inventing the stage-dive in Detroit, rolling around in broken glass, exposing himself to the crowd, and vomiting on stage, among many other exploits.

In 1968, one year after their live debut, and now dubbed The Stooges, the band signed with Elektra Records, again following in the footsteps of The Doors, who were Elektra's biggest act at the time (reportedly, Pop called Moe Howard to see if it was alright to call his band "The Stooges", to which Howard responded by merely saying "I don't care what they call themselves, as long as they're not the Three Stooges!" and hung up the phone). The Stooges' first two albums The Stooges, (on which Iggy was credited, much to his displeasure, as "Iggy Stooge"), produced by John Cale; and Fun House, sold poorly. Shortly after the new members joined, the group disbanded because of Pop's growing heroin addiction.


In 1971, Iggy Pop and David Bowie met at Max's Kansas City, a nightclub and restaurant in New York City. Pop's career received a boost from his relationship with Bowie when Bowie decided in 1972 to produce an album with Pop in England. With James Williamson signed on as guitarist, the search began for a rhythm section. However, since neither Pop nor Bowie was satisfied with any players in England, they decided to re-unite The Stooges. It would not be a true reunion insofar as Dave Alexander, who had succumbed to alcoholism, was unable to play on the record; he later died in 1975. Also, Ron Asheton grudgingly moved from guitar to bass to make way for Williamson to play guitar. The recording sessions produced the rock landmark Raw Power. After its release Scott Thurston was added to the band on keyboards/electric piano and Bowie continued his support, but Iggy's drug problem persisted. The Stooges' last show ended in a fight between the band and a group of bikers, documented on the album Metallic K.O.. Drug abuse stalled his career again for several years.

Bowie and Berlin: 1976 to 1978

Iggy Pop, October 25, 1977 at the State Theatre, Minneapolis, MN Photo: Michael Markos

After the second breakup of The Stooges, Iggy Pop made some recordings with James Williamson, but these were not released until 1977 (as Kill City, credited jointly to Iggy Pop and Williamson). Iggy was unable to control his drug use and checked himself into a mental institution to try to clean up. Bowie was one of his few visitors there, and he continued to support his friend and collaborator. It was also rumored that Bowie would smuggle in cocaine to give to Pop. In 1976, Bowie took him along as his companion on the Station to Station tour. This was Iggy Pop's first exposure to large-scale professional touring and he was impressed, particularly with Bowie's work rate.

Bowie and Iggy Pop relocated to West Berlin to wean themselves off their addictions. Iggy Pop signed with RCA and Bowie helped write and produce The Idiot and Lust for Life during 1977. Pop's two most acclaimed albums as a solo artist, the latter with another team of brothers, HuntTony Sales, sons of comedian Soupy Sales. Among songs they wrote together were China Girl, Tonight, and Sister Midnight, all of which Bowie performed on his own albums later on (the last being recorded with different lyrics as Red Money on the album Lodger). Bowie also played keyboards in Pop's live performances, some of which are featured on the album TV Eye in 1978. In return, Pop contributed backing vocals on Bowie's Low. and

The Arista albums: 1979 to 1981

Iggy Pop had grown dissatisfied with RCA, later admitting that he had made TV Eye as a quick way of fulfilling his three-album RCA contract. He moved to Arista Records, under whose banner he released New Values in 1979. This album was something of a Stooges reunion, with James Williamson producing and latter-day Stooge Scott Thurston playing guitar and keyboards. Not surprisingly, the album's style harked back to the guitar sound of the Stooges. Although highly regarded by many Iggy fans (some preferring it to the Bowie collaborations), New Values was not a popular success, despite some strong material including I'm Bored and Five Foot One.

Iggy Pop, Cardiff, 1979

The album was moderately successful in Australia and New Zealand, however, and this led to Iggy Pop's first visit there to promote it. While in Melbourne, he made a memorable appearance on the Australian Broadcasting Corporation's nationwide pop show Countdown. During his anarchic performance of I'm Bored, Pop made no attempt to conceal the fact that he was lip-synching, and he even tried to grab the teenage girls in the audience. He was also interviewed by host Ian "Molly" Meldrum, an exchange which was frequently punctuated by the singer jumping up and down on his chair and making loud exclamations of "G'day mate" in a mock Australian accent. His Countdown appearance is generally considered one of the highlights of the show's history and it cemented his popularity with Australian punk fans; since then he has often toured there. While visiting New Zealand, Iggy Pop recorded a music video for I'm Bored, and at a record company function where he appeared to slap a woman and throw wine over a photographer. While in Australia, Iggy Pop was also the guest on a live late-night commercial TV interview show on the Ten Network. It is not known whether a recording of this interview exists, but the famous Countdown appearance has often been re-screened in Australia.

During the recording of Soldier (1980), Iggy Pop and Williamson quarrelled over production (the latter apparently wanted a big, Phil Spector-type sound) and Williamson was fired. Bowie appeared on the song Play it Safe, performing backing vocals with the group Simple Minds. The album and its follow-up Party (1981) were both commercial failures, and Iggy Pop was dropped from Arista. His drug habit varied in intensity, but persisted.

The 1980s

In 1980, Iggy Pop published his autobiography I NEED MORE, co-written with Anne Weher, an Ann Arbor arts patron. The book, which includes a selection of black and white photographs, features a foreword by Andy Warhol. Warhol says that he met Iggy when he was Jim Osterberg, at the Ann Arbor Film Festival in 1966. "I don't know why he hasn't made it really big," wrote the one Pop artist about the other. "He is so good."

The 1982 album Zombie Birdhouse on Chris Stein's Animal label, with Stein himself producing, was no more commercially successful than his Arista works, but again, in 1983, Iggy Pop's fortunes changed when David Bowie recorded a cover of the song "China Girl". The song had originally appeared on The Idiot, and was a major hit on Bowie's blockbuster Let's Dance album. As co-writer of the song, Pop received substantial royalties. On Tonight in 1984, Bowie recorded two more of their co-written songs, this time from the Lust for Life album, "Tonight" and "Neighborhood Threat", assuring Iggy Pop financial security, at least for the short term. The support of his friend enabled Pop to resolve problems with the IRS and permitted him to take a three-year break during which he overcame his heroin addiction, took acting classes, and got married.

Additionally, Iggy Pop contributed the title song to the 1984 film Repo Man (with Steve Jones, previously of the Sex Pistols, on guitar) as well as an instrumental called "Repo Man Theme" that was played during the opening credits.

In 1985, Pop recorded some demos with Jones. He played these demos to Bowie, who was sufficiently impressed to offer to produce an album for Pop: 1986's New Wave-influenced Blah Blah Blah, featuring the single "Real Wild Child", a cover of Wild One (Real Wild Child), originally made popular by Australian rock 'n' roll pioneer Johnny O'Keefe in 1959. The single was a Top 10 hit in the UK and was successful around the world, especially in Australia, where for the last twenty years it has been used as the theme music for the ABC's late-night music video show Rage. It remains Pop's solitary brush with major commercial success. Blah Blah Blah was Pop's highest-charting album in the U.S. since The Idiot in 1977, peaking at #75 on the Billboard Top 200 albums chart.

Also in 1985, the movie Rock & Rule was released featuring performances by Iggy Pop and Lou Reed for the character Mok. Pop's song in the film was "Pain & Suffering" from the final sequence of the film.

In 1987, Pop appeared (along with Bootsy Collins) on a mostly instrumental album, Neo Geo, by Japanese composer Ryuichi Sakamoto. The music video for "Risky", written and directed by Meiert Avis, won the first ever MTV Breakthrough Video Award. The groundbreaking video explores transhumanist philosopher FM-2030's ideas of Nostalgia for the Future in the form of an imagined love affair between a robot and one of Man Ray's models in Paris in the late 1930s. Additional inspiration was drawn from Jean Baudrillard, Edvard Munch's 1894 painting Puberty, and Roland Barthes Death of the Author. The surrealist black-and-white video uses stop motion, light painting, and other retro in-camera effects techniques. Meiert Avis shot Sakamoto while at work on the score for The Last Emperor in London. Sakamoto also appears in the video painting words and messages to an open shutter camera. Iggy Pop, who performs the vocals on "Risky", chose not to appear in the video, allowing his performance space to be occupied by the surrealist era robot.

Pop's follow-up to Blah Blah Blah, Instinct (1988), was a turnaround in musical direction. Its stripped-back, guitar-based sound leaned further towards the sound of the Stooges than any of his solo albums to date. His record label, which had most likely been expecting another Blah Blah Blah, dropped him. Nevertheless, the King Biscuit radio show recording of the Instinct tour (featuring guitarist Andy McCoy and Alvin Gibbs on bass) reaching Boston on July 19, 1988, remains one of punk-rock's most enduring live albums.

The 1990s

In 1990, Pop recorded Brick by Brick, produced by Don Was, with members of Guns N' RosesThe B-52's as guests, as well as backup vocals by many local Hollywood groups, two of whom (Whitey Kirst and Craig Pike) would create his band to tour and perform on his Kiss My BloodTim Pope and filmed at the Olympia in Paris. The video attracted much controversy, as it featured much footage of Pop performing with his penis exposed to the audience. The album was his first Gold-certified album in the U.S. (denoting sales of over 500,000 copies) and featured his first Top 40 U.S. hit, Candy, a duet with B-52's singer Kate Pierson. and video (1991), directed by world-famous director

Also in 1990, Pop starred in the controversial opera The Manson Family by composer John Moran, released on Point Music/Phillip Classics, where he sang the role of prosecutor Vincent Bugliosi. That year he was also involved in the Red Hot + Blue project, singing a version of Well Did You Evah! in a duet with Deborah Harry.

In 1991, Pop and Kirst contributed the song Why Was I Born (Freddy's Dead) to the soundtrack of the film Freddy's Dead: The Final Nightmare. The song also plays over the end credits of the film, with a compilation of clips from the A Nightmare on Elm Street series running alongside the end credits.

In 1992, he collaborated with Goran Bregović on the soundtrack for the movie Arizona DreamEmir Kusturica. Pop sang four of the songs: In the Deathcar, TV Screen, Get the Money, and This is a Film. Also in 1992, he collaborated with the New York City band White Zombie. He recorded spoken word vocals on the intro and outro of the song Black Sunshine as well as playing the character of a writer in the video shot for the song. He is singled out for special thanks in the liner notes of the band's album La Sexorcisto: Devil Music, Vol. 1. by

In 1993, Pop released American Caesar, including two successful singles, Wild America and Beside You. The following year Pop contributed to Buckethead's album Giant Robot, including the songs Buckethead's Toy Store and Post Office Buddy. He appears also on the Les Rita Mitsouko album Système D where he sings the duet My Love is Bad with Catherine Ringer.

In 1995, Pop again found mainstream fame when his 1977 song Lust for Life was featured in the film Trainspotting. A new video was recorded for the song, with clips from the film and studio footage of Iggy dancing with one of its stars, Ewen Bremner. An Iggy Pop concert also served as a plot point in the film. The song has also been used in TV commercials for Royal Caribbean Cruise Lines (with many music critics denouncing the usage of the song to promote peppy cruises) and as the theme music to The Jim Rome Show, a nationally-syndicated American sports talk show.

Also in 1995, Pop released Naughty Little Doggie, with Whitey Kirst returning on guitar, and the single I Wanna Live. In 1997, he remixed Raw Power to give it a rougher, more hard-edged sound; fans had complained for years that Bowie's official rescue effort mix was muddy and lacking in bass. Pop testified in the reissue's liner notes that on the new mix, "everything's still in the red". He co-produced his 1999 album Avenue B with Don Was, releasing the single Corruption. Pop produced 2001's Beat 'Em Up, which gave birth to The Trolls, releasing the single Football featuring Trolls alumni Whitey Kirst and brother Alex.

In the early to middle 1990s, Pop would make several guest appearances on the NickelodeonThe Adventures of Pete and Pete. He played James Mecklenberg, Nona Mecklenberg's father. show

Recent career

Iggy Pop at South by Southwest in 2007.

Pop supplied vocals for the 1999 Death in Vegas UK Top-10 single Aisha. The same year he appeared on Hashisheen, The End Of Law, a collaborative effort by Bill Laswell, reading on the tracks The Western Lands and A Quick Trip to Alamut. He also sang on the tracks Rolodex Propaganda and Enfilade by At the Drive-In in 2000.

For New Year's Eve 1997, Iggy was the headliner for the annual Australian three-day concert the Falls Festival. He gave one of the most memorable performances in the history of the festival. A member of the audience got to do the countdown for the new year with Pop as part of a competition to guess Pop's new year's resolution. (It was "To do nothing and make a lot of money!")

Pop's 2003 album Skull Ring featured collaborators Sum 41, Green Day, Peaches, and The Trolls, as well as Ron and Scott Asheton, reuniting the three surviving founding members of The Stooges for the first time since 1974. Pop made a guest appearance on Peaches's song Kick It as well as the video. Also in 2003, his first full-length biography was published. Gimme Danger - The Story of Iggy Pop was written by Joe Ambrose; Pop did not collaborate on the biography or publicly endorse it. Having enjoyed working with the Ashetons on Skull Ring, Pop reformed The Stooges with bassist Mike Watt (formerly of the Minutemen) filling in for Dave Alexander, and Fun House saxophonist Steve Mackay rejoining the lineup. They have toured regularly since 2004. That year, Pop opened Madonna's Reinvention World Tour in Dublin.

Iggy Pop at Beale Street Music Festival, Memphis in May 2007.

In 2005 Pop appeared, along with Madonna, Little Richard, Bootsy Collins, and The Roots' Questlove, in an American TV commercial for the Motorola ROKR phone. In early 2006, Iggy and the Stooges played in Australia and New Zealand for the Big Day Out. They also began work on a new album, The Weirdness, which was recorded by Steve Albini and released in March 2007. In August 2006 Iggy and the Stooges performed at the Lowlands pop festival in the Netherlands, Hodokvas in Slovakia and in the Sziget festival in Budapest.

Author Paul Trynka completed a biography of Iggy Pop (with his blessing) called Open Up and Bleed, published in early 2007. More recently, Iggy and the Stooges played at Bam Margera's wedding and Pop appeared on the single "Punkrocker" with the Teddybears in a CadillacComedy Central cartoon Lil' Bush and confirmed that he has done voices for American Dad and Grand Theft Auto IV,[12]I Wanna Be Your Dog (though the game's manual credited Iggy Pop as the artist). Iggy and The Stooges played the Glastonbury Festival in June 2007. Their set included material from the 2007 album The Weirdness and classics such as No FunI Wanna Be Your Dog. Pop also caused controversy in June 2007 when he was interviewed on the BBC's coverage of the Glastonbury Festival. He used the phrase "paki shop", prompting three complaints and an apology from the BBC. television commercial. Pop was also the voice of Lil' Rummy on the which also included The Stooges song and

Pop guested on Profanation (Preparation for a Coming Darkness), the new album by the Bill Laswell-helmed group Praxis, which was released on January 1, 2008. On March 10, 2008 Pop appeared at Madonna's induction into the Rock and Roll Hall of Fame at the Waldorf AstoriaBurning Up and Ray of Light. Before leaving the stage he looked directly at Madonna, quoting "You make me feel shiny and new, like a virgin, touched for the very first time.", from Madonna's hit song Like A Virgin. According to guitarist Ron Asheton, Madonna asked The Stooges to perform in her place, as a protest to the Rock and Roll Hall of Fame for not inducting The Stooges despite six appearances on the nomination ballot. Pop also sang on the No FunAsian Dub Foundation on their 2008 album Punkara. Hotel in New York. Together with The Stooges he sang raucous versions of two Madonna hits cover by

He fronts (from January 2009) a £25 million TV ad campaign for Swiftcover, using the strapline "Get a Life".

On January 6, 2009, original Stooges guitarist, and Iggy's self-described best friend Ron Asheton, was found dead from an apparent heart attack. He was 60 years old.

Pop collaborated with Danger Mouse and Sparklehorse on the album "Dark Night of the Soul", singing the track "pain."

Pop's new solo album, Préliminaires, was released on June 2, 2009. Inspired by a novel by French author Michel Houellebecq (born Michel Thomas) called La Possibilité d'une île (2005; Trans. as The Possibility of an Island by Gavin Bowd, 2006), Iggy was approached to provide the soundtrack for a documentary film on Michel and his attempts to make a film from his novel. Iggy's favourite character from Michel's novel is a little white dog named Fox. Iggy describes this new release as a "quieter album with some jazz overtones", the first single off the album, "King of the Dogs", bearing a sound strongly influenced by New Orleans jazz musicians such as Louis Armstrong and Jelly Roll Morton. Iggy also admits that it's his response to being "sick of listening to idiot thugs with guitars banging out crappy music". The album will be available on legal download sites, CD, and a Deluxe Boxset is available at only 6000 units worldwide. This boxset contains the Préliminaires album, a collector "Les Feuilles Mortes" b/w "King Of The Dogs" 7 inch, the cover of which is Iggy's portrait by Marjane Satrapi, and a 38 page booklet of drawings also by Marjane Satrapi.

Iggy sings one song on Slash, Slash's first solo album which was released in April 2010.

Iggy appeared in the video game Lego Rock Band. Iggy will appear as a character to sing The Passenger and will also be the voiceover talent for the tutorials.

With reference to the song The Passenger, Iggy Pop has appeared on NZ television advertising phone networks to show how he can get a band to play together by conference call.

On December 15, 2009 it was announced that The Stooges will be inducted into The Rock and Roll Hall of Fame on March 15, 2010. Pop had "about two hours of a strong emotional reaction" to the news.

In March 2010 the Stooges and Iggy Pop were inducted into the Rock and Roll Hall of Fame.

After a March 2010 stage diving accident, Pop claimed he would no longer stage dive.However, he did so on three occasions at a concert in Madrid, Spain on 30 April 2010. And it was much the same in London at the Hammersmith Apollo on 2 May, 2010.

Film career

Pop has had a limited career as an actor. He has appeared in sixteen movies, including Sid and Nancy (a nonspeaking cameo role), The Color of Money, Hardware (voice only), The Crow: City of Angels, The Rugrats Movie, Snow Day, Coffee and Cigarettes (opposite Tom Waits, in the third segment of the film, "Somewhere in California"), Cry-Baby, Dead Man, Tank Girl and Atolladero, a Spanish science fiction Western. Pop also sings the main theme for Atolladero, he is the voice of The Beast From Another Dimension in the cult animated film Rock & Rule and also sings its song, "Pain and Suffering".

He has been featured in five television series, including Tales from the Crypt, The Adventures of Pete & Pete, where he played Nona's dad in the second and third season, and Star Trek: Deep Space Nine, in which he played Yelgrun in "The Magnificent Ferengi" episode. With The Stooges, he was also featured in an episode of MTV's Bam's Unholy Union as the main band performing at Bam's wedding. Additionally, a portion of the music video for Iggy's Butt Town was featured on an episode of Beavis and Butthead.

Pop has been profiled in four rockumentaries and has had songs on eighteen soundtracks, including Crocodile Dundee 2, Trainspotting, Lock, Stock and Two Smoking Barrels, Haggard, Arizona Dream, the main theme of Repo Man and Kurt Cobain: About a Son.

In the movie Velvet Goldmine, Ewan McGregor portrays Curt Wilde, a character loosely based on Iggy Pop. McGregor performs Pop's songs "TV Eye" and "Gimme Danger" in the film.

Pop voiced Lil' Rummy on the Comedy Central show Lil' Bush.

Iggy Pop played himself as the DJ of the fictional rock station Liberty Rock Radio 97.7 in the video game Grand Theft Auto IV.

Pop provided the voice for a character in the English language version of the 2007 animated film Persepolis.

Iggy Pop also voiced a cameo in the American Dad! episode American Dream Factory as Jerry, the drummer, in Steve's band.

Iggy makes an appearance in the 2008 feature documentary by Nik Sheehan about Brion GysinDreamachine entitled 'FLicKeR'. and the

In 2008, Iggy's music will be featured in a movie adaption of Irvine Welsh's best-selling novel Ecstasy: Three Tales of Chemical Romance.

In January 2009, Iggy was signed up as the face of Swiftcover, the UK-based online insurance company. The advert was then banned by the Advertising Standards Authority on 28 April 2009 for being misleading – it implied that Iggy Pop himself had an insurance policy with Swiftcover when at the time the company did not insure musicians.

Iggy Pop featured along side indie starlet Greta Gerwig (Noah Baumbach's Greenberg, Baghead, Nights and Weekends) in the film "Art House" which will world premiere at the Nashville Film Festival in April 2010.

Iggy Pop also featured as a voice talent in the 2004 ATARI video game DRIV3R, which was produced by Reflections Interactive.

In 2010, the Stooges song "Search and Destroy" was featured in the Lost: Final Chapter episode 04, The Substitute.

Iggy's cover of the Richard Berry song Louie Louie is used during the opening credits of Michael Moore's 2009 film Capitalism: A Love Story

Future biopic

The Passenger was the putative name for a biopic about Pop's early career with the Stooges. The film was to be directed by Nick Gomez, and Elijah Wood was to play Iggy Pop. As of 2010, the project appears to be shelved.

Pop liked the script but refused to take part in the film. He said:

The script ain't chopped liver... It was a work of art. But subjectively, I don't want to be involved in any way. A producer and the writer sent me a very decent letter, and asked me to write back if I didn't want them to do it... I don't feel negative about it at all.

He also called Wood "a very poised and talented actor".

Classical scholarship

An established journal of classical scholarship, Classics Ireland, chose to publish Pop's musings on the applicability of Edward Gibbon's Decline and Fall of the Roman Empire to the modern world in his brief article, Caesar Lives, (Vol. 2, 1995). Pop also relates how reading Gibbon while on tour in the Southern United States inspired him to a spontaneous soliloquy he called "Caesar".

Discography

Albums

With The Stooges

With James Williamson

Solo

Studio
Live
Tribute albums
  • 1996 - I Wanna Be a "Stooges" (also known as I Wanna Be a Stooge)
  • 1997 - We Will Fall
  • 1998 - Pop O.D.


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